Hayward's Somebody's Stenog, which appeared in 1916 and featured Cam O'Flage, who worked for a nuts and bolts company. The earliest working girl comic strip was A. The heyday of women's strips coincided with, or more likely resulted from, the fast, free-wheeling jazz era, a period when women won the right to vote and entered the workforce, chiefly as office workers, and the flapper epitomized one of the early sexual revolutions. For decades, a number of comic strips drawn by women carried cut-out paper dolls that readers could dress. Cartoonists' style renditions often hit a chord with women, Charles Dana Gibson's "Gibson Girl" hairdos being a prime example. Curlers and hair wavers were named after her, and in Broadway's Ziegfeld Follies, a Brinkley Girl was featured. One of Drayton's accomplishments, for example, was the creation of the Campbell Kids (for Campbell Soup) advertising icons, and Brinkley's elegant women characters set fashion trends in real life. Women's cartooning skills were not isolated to newspaper funny pages they were also visible in many of the advertisements and fashion designs of the day. Cory, Jean Mohr, Marjorie Organ, and Nell Brinkley. Other pioneering women cartoonists included Grace Gebbie Drayton, Fanny Y. Among these comics were Rose O'Neill's Kewpies (1909), after which the famous and lucrative doll was named Louise Quarles's Bun's Puns, Grace Kasson's Tin Tan Tales for Children, and Agnes Repplier III's "The PhilaBusters" (all 1901) and Kate Carew's The Angel Child (1902). The works of these early "queens of cute" usually portrayed pet animals, cherubic children in nineteenth-century clothing, or women decked out in curls, ruffles, and lace. In the United States, women drew newspaper funnies within six years after the appearance of The Yellow Kid (1895), generally recognized as the first American comic strip. DEVELOPMENT OF COMICS IN THE UNITED STATES In fact, one of the earliest strips in the world, Britain's Ally Sloper, was drawn by Marie Duval in the 1870s. Gender and sexuality have figured prominently in the development of comic books and comic strips, and women cartoonists-though relatively rare at times and in places-have been active from the earliest days of cartooning.
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